Highlights of the past few seasons include Nemorino in Ascoli and Fano, in Rome conducted by Donato Renzetti, at the Teatro Real in Madrid, at Staatsoper Berlin and in Graz in Bruxelles and in Bologna, Fenton in Falstaff at Bayerische Staatsoper in Munich, under Daniel Harding at Milan‘s Teatro alla Scala and with la Scala in Tokyo, as well as under Mark Elder at Glyndebourne Festival and at Teatro San Carlo di Napoli; Alfredo at the Teatro Filarmonico in Verona at the Teatro La Fenice in Venice,  at Teatro dell’Opera di Roma, Deutsche Oper in Berlin, at the New National Theatre in Tokyo and in Teatro Massimo in Palermo, Tamino in Bari and Venice, Don Ottavio in Don Giovanni at Chicago Lyric Opera conducted by Sir Andrew Davis, at the Royal Opera House Covent Garden in London conducted by Nicola Luisotti, in Venice, Hamburg, Berlin and Graz; Cassio in Otello under Bertrand de Billy at Chicago Lyric Opera, under Antonio Pappano at Royal Opera House Covent Garden and under Christian Thielemann at the Sächsiche Staatsoper in Dresden; Conte in Mercadante‘s I Due Figaro under Muti at Salzburg Whitsun Festival, at Ravenna Festival and at the Teatro Real in Madrid; concert performances of Stravinsky’s Rossignol and Tchaikovsky’s Iolanta under Ivor Bolton at Salzburg Festival; as well as Ismaele in Nabucco under Riccardo Muti in Rome and with Rome Opera in Tokyo, Macduff in Macbeth under Muti in Rome and at Salzburg Festival. 

As a concert singer Antonio Poli performed with Berlioz’ Messe Solenelle de Sainte Cécile under Bertrand de Billy at Vienna Musikverein, with Schubert’s Mass in a flat major under Muti in Chicago, with Rossini’s Stabat Mater under Rolf Beck at the Schleswig-Holstein-Music-Festival and at the Rheingau Music Festival, and under Jesus Lopez Cobos at the Vatican and in Orvieto, with Mozart‘s Requiem in Rome under Antonio Pappano, with Penderecki‘s Polish Requiem in Hamburg conducted by the composer and gave his concert debut in Chicago with Bach‘s Magnificat. He also sang Verdi Requiem in San Sebastian Festival under Gustavo Gimeno and at the Teatro Regio in Parma under Daniele Callegari.

He sang more concerts in Tokyo, Toronto, Parma, Venice, Palermo, Zurich London and Berlin and recorded Mercadante’s I due Figaro as well as Verdi’s Nabucco and Macbeth conducted by Riccardo Muti. 

In 2010 he won 1st prize and the prize of the audience at the 29th International Hans Gabor Belvedere-Competition in Vienna – already before this he had successfully participated in several other international voice competitions.

In summer 2010 he took part in the Young Singer’s Project at Salzburg Festival. Among his recent engagements: Alfredo in La Traviata at the New National Theatre in Tokyo, at the Teatro Verdi in Salerno and at the Teatro dell’Opera in Rome, Edgardo in Donizetti’s Lucia di Lammermoor in Lipsia.